1. t035410a天梭價格

步驟如下

一、首先準備好工具，電池 防水膏和拆表器；

二、然后拿來你要更換電池的手表，調(diào)節(jié)一下拆表器；

三、拆下了電磁蓋，小心拆下塑料保護套；

四、更換電池，復(fù)原上去就好了。

整個過程要仔細，很精致的東西，容易拆壞。最好讓專業(yè)的來。

2. 天梭t035407a價格

全自動機械機芯。

T035407A是天梭T-Trend流行系列庫圖自動機械表，這款表采用ETA2834-2自動上鏈機芯，現(xiàn)在的自動上鏈機芯都有保護裝置，一旦上滿鏈后，會自動脫開發(fā)條，無論你再如何轉(zhuǎn)動表冠都已經(jīng)不再上鏈了。

你的手表沒有問題，放心使用吧

3. 天梭t035614a報價

天梭1853型號T035614有兩款，鋼帶款和皮帶款，機芯是一樣的，都采用ETA 7750自動上鏈計時機芯。

鋼帶款T035.614.11.051.00，國內(nèi)專柜公價是11450元；皮帶款T035.614.16.051.00國內(nèi)專柜公價是11300元。我的手表也是這款

4. 天梭t035627a價格

我前天剛買的這個型號的，鋼帶的，6000整。

加了一節(jié)鋼帶，200塊錢。很喜歡。但是我在網(wǎng)上查這個機芯是塑料的，瞬間感覺難受極了。六千多買的怎么變成塑料的了呢？心里太不爽了。

5. 天梭t035428a多少錢

T035.407.36.051.00是天梭T-Trend流行系列庫圖機械男表，采用ETA 2834-2自動上鏈機芯，這款表香港公價是6280港幣，現(xiàn)在DFS及授權(quán)經(jīng)銷表行都是92折，加上0.8匯率，折合人民幣是4622元； T035.627.16.051.01是6800港幣。92折，加上0.8匯率，折合人民幣是5004元。

6. 天梭t035410a官網(wǎng)價格

天梭1853T035210a是石英表不是機械表，價格在6000元左右。

7. 天梭t035408a價格

天梭T035617A是天梭庫圖系列石英計時的男表，用的是G10.211石英機芯。

TISSOT天梭品牌設(shè)計理念崇尚本色、自然。以簡約、精致、個性的風(fēng)格還本歸原。人本精神為主體的設(shè)計指導(dǎo)思想，倡導(dǎo)現(xiàn)代衣著感觀與精神體驗的結(jié)合。使產(chǎn)品兼?zhèn)涫孢m、品味與體貼。理想主義元素的加入，使產(chǎn)品韻味十足。而緊貼國際最新服裝潮流的設(shè)計方法配合品牌表現(xiàn)的時尚背景，強烈的時空差異使產(chǎn)品呈現(xiàn)出更富魅力的時尚感。

8. 天梭t035439a價格

行楷又稱“漢字行楷手寫體字形”，是偏重于楷書書寫筆法，比楷書行筆自由，又比行草規(guī)正的行書字體。是漢字在楷書基礎(chǔ)上簡約書寫筆畫、增強書寫映帶、表現(xiàn)書寫意趣的實用性字體。行楷最大的優(yōu)勢在于實用性極強，書寫速度快、易識易學(xué)。

行楷特點

行筆輕盈

書寫楷書，運筆穩(wěn)實、緩慢，筆畫講究工整、挺健。書寫行楷，運筆輕松、便捷，線條追求流暢、明快。

點畫靈動

書寫楷書，筆畫造型完整，點畫之間呼應(yīng)關(guān)系含蓄。書寫行楷，點畫活潑，連帶顯露，點、鉤、挑等動感筆畫明顯增多。

字形多變

楷書的字形平正端莊，通篇整齊均勻，相映如一。行楷字的字形變化多姿，通篇大小相間，正敧相錯，同一個字可以有多種寫法。

硬筆行楷

姿勢

坐姿

推薦的坐姿：頭正、肩平、臂開、足安；眼離紙一尺高，手離筆尖一寸長，胸離桌子拳頭，推薦坐姿如下圖。

握姿

推薦的握姿：拇指、食指捏住筆，中指抵住筆桿底；余下兩指緊相依，指離筆尖一寸余；五指配合齊用力，不松不緊最適宜，推薦握姿如下圖。

工具

選筆

1、鋼筆

鋼筆的地位在硬筆練字中處于不可撼動的地位，較強表現(xiàn)力可以反映出毛筆的效果。關(guān)于練習(xí)鋼筆的選擇，我們可以遵從以下原則：

（1）不使用美工筆。美工筆不利于穩(wěn)定練習(xí)；

（2）不使用寫起來不適的鋼筆。比如出現(xiàn)堵筆、洇墨、摩阻過大等問題；

（3）不使用過貴的鋼筆。在成本練字的過程相對耗筆，盡量做到成本控制，貴的筆對練字本身沒有太實質(zhì)性的幫助。

中性筆

中性筆有穩(wěn)定、表現(xiàn)力強、便宜、便捷、書寫舒適等優(yōu)點，是一種相對完美的筆。不止在此次行楷練習(xí)試驗中，日常生活中，大多數(shù)人更愿意使用0.5中性筆。

中性筆的挑選可以遵從如下原則：

（1）書寫流度。筆觸順骨，筆畫飽滿，墨色均勻；

（2）握筆舒適度。長時間書寫不會有過于明顯累手、壓迫感；

（3）墨干燥速度。書寫時不會被譜黑就行。

3、其他筆

除了鋼筆和中性筆，其他筆類都可以進行練字。種類繁多，最為常見的有鉛筆，圓珠筆等。不一定局限于某種筆。

字帖

分類

字帖大體可分為三類：（1）筆畫結(jié)構(gòu)詳解類（2）集字類（3）語錄文章類。初學(xué)者可以購入三類字帖分別一本，有一定基礎(chǔ)者可以購入后兩類字帖各一本，基礎(chǔ)扎實者可購最后一類字帖。行楷定型試驗于2019年6月10日啟動，2019年10月24日初步定型，所用字帖為荊霄鵬的《實用行楷字帖》（圖1)、《林徽因語錄行楷》（圖2)?！秾嵱眯锌痔穼儆诩诸悾读只找蛘Z錄行楷》屬于語錄文章類。

圖1

圖2

推薦字帖

當(dāng)代有大量優(yōu)秀行楷字帖，比如吳玉生、田英章、錢沛云等人的行（楷）字帖。

昊玉生的行楷字站：《怎樣寫好寫快規(guī)范字》《公務(wù)員漢字書寫5500字》、《古文觀止》、《硬筆行書紅樓夢詩詞》等。

田英章的行（楷）字帖：《鋼筆行書實用技法字帖》、《漂亮字的快寫技巧（行書）》、《現(xiàn)代漢語常用3500字（行書）》等。

錢沛云的行（楷）字帖：《錢沛云硬筆書法技巧》《錢市云教你寫好硬筆行書》等。

對于字站的選擇需要根據(jù)自己的喜好，但是也要避雷。

選擇字帖三不選：不選折凹槽類字帖；不選手寫體類字帖；不選大幅度描紅類字帖。

紙

練習(xí)紙種類繁多，常見的有回宮格、米字格、田字格、空白格、橫線格、豎線格等等，練習(xí)紙的選擇也需依據(jù)自己的基礎(chǔ)，初學(xué)盡量選擇輔助線多的回宮格、米字格等，隨著階段的變化，練習(xí)紙也應(yīng)該有所改變以減少輔助，達到科學(xué)練習(xí)的目的。按時間順序，不止使用了米字格紙、田字格紙、空白格紙、橫線紙、豎線紙、白紙。

重點：從脫離米字格到白紙，練字整個過程都貫穿著田字格紙的鞏固練習(xí)，不屬于完全轉(zhuǎn)換狀態(tài)。

另外，有以下幾個點可以注意：

（1）當(dāng)沒有問題的筆墨寫在紙上產(chǎn)生洇墨、阻力大等類問題，建議換紙。

（2）不要使用線格過小的紙，選擇寫起來有種自然舒適狀態(tài)的紙。

（3）不要刻意追求“好”紙，硬筆行楷的練習(xí)對紙的要求較低。

練字內(nèi)容

從欣賞一幅書法作品的角度，至少會從章法、結(jié)構(gòu)、筆畫（劃）三方面進行解讀，這三方面即是要練字的內(nèi)容。

章法

章法是安排布置整幅作品中，字與字、行與行之間呼應(yīng)、照顧等關(guān)系的方法，它著重于字與字之間、行與行之間的協(xié)調(diào)。章法包含著字形大小、字距遠近、字態(tài)正奇、黑白分布、落款鈴印等，利用這些手段可以使眾多單字在特定的風(fēng)格下形成一種和諧穩(wěn)定美觀又不失趣味的作品。

結(jié)構(gòu)

結(jié)構(gòu)是字內(nèi)各筆畫長短、粗細、疏密、布局等。漢字從結(jié)構(gòu)上分有獨體字與合體字兩大類。從結(jié)構(gòu)形式看，合體字分為七種，即上下結(jié)構(gòu)、上中下結(jié)構(gòu)、左右結(jié)構(gòu)、左中右結(jié)構(gòu)、半包圍結(jié)構(gòu)、全包圍結(jié)構(gòu)和品字形結(jié)構(gòu)，巧妙地組織筆畫讓筆畫布局合理，傳達的視覺效果越好。

筆畫（劃）

永字反映出了“點、橫、豎、撇、捺、提、折、鉤”八個基本筆畫。筆尖與紙面接觸的痕跡，反映出筆畫力度、角度、粗細、曲直等。筆畫作為練字的起點，是最基礎(chǔ)也是最核心的，務(wù)必加倍重視。

練字方式

臨摹字帖是當(dāng)下練字最有效的途徑，但是部分人在臨摹之前往往忽略了一個前提：讀帖。將練字方法分解為三個部分：讀帖、摹寫、臨寫。

讀帖

讀帖需要分析字帖范字的筆畫、結(jié)構(gòu)、章法。讀帖是一個發(fā)揮主觀能動性的過程，初步練習(xí)時應(yīng)更多的注重筆畫的長短、粗細、徐疾、輕重，筆畫之間的俯仰、向背、離合、呼應(yīng)，字的大小、方圓、高矮、寬窄等等。仔細領(lǐng)會字帖的點畫形質(zhì)、間架結(jié)構(gòu)、氣韻神采，才能下筆準確。對同一字帖而言，應(yīng)從其點畫開始，觀察其起筆、行筆、收筆如何完成以及同一類筆畫之間的細小差別等，再到觀察毎個字的間架結(jié)構(gòu)、位置布局和章法，最后則是體味字站的氣韻神采、風(fēng)格特點，為準確地臨寫做好準備。對不同字帖而言，就比如不止選擇的兩本字帖，往往起到一個相輔相成的作用，為了解一個字體作好充分的準備。經(jīng)過觀察，不止使用的行楷字帖，不像古帖變化較多，容易學(xué)習(xí)，方便掌握。

摹寫

市面上流通的大多數(shù)摹寫字帖采用透明度較高的硫酸紙覆蓋在字帖上，按照影子描寫（或者貓紅）。當(dāng)你開始使用摹寫時前也要詳細的讀帖，做到心中有數(shù)。摹寫過程中，盡量與原帖的用筆一致，單字書寫一氣呵成，不可存在?筆填筆等問題。摹寫有利有弊，不止認為摹寫存在降低主觀能動性的嫌疑，故整個練字試驗過程都沒有使用摹寫。

臨寫

臨寫根據(jù)要求的不同可分為對臨、背臨和意臨。

1、對臨

可將字帖置于視角左側(cè)或前端，便于準確觀察。隨著練字形式的多樣化，對臨時關(guān)于字帖的擺放只要適用于自己即可，可通過裁剪字帖放大觀察范圍，不必拘泥形式?；谧x帖，寫完后再將自己寫的與字帖仔細對照分析，找到不足做出標(biāo)記，再次臨寫，循環(huán)練習(xí)直到與字帖的字高度相以。臨寫時不可看一筆寫一筆。

2、背臨

在讀帖，摹寫，對臨這些過程中，應(yīng)當(dāng)有所思索、有所比較、有所記憶，將字帖熟記于心，合帖臨寫，通過背臨這種方式來檢驗自己是否熟練，這種方式就好比背語文課文，作為一種檢查手段的同時，也是在鞏固字體的練習(xí)，以形成記憶模式，達到一種出筆即像的境界。有部分練習(xí)者對照字帖能寫得很好，一旦離開字站，不管是字形還是結(jié)構(gòu)都降了層次，這就是因為沒有使用好背臨這一招。學(xué)習(xí)一個字體最后目的就是要將帖上字化為已用，想要到達這一目的，背臨是必經(jīng)的過程。背臨還有兩種形式：空背臨和心背臨。由于這兩種方式不存在使用工具、時間、環(huán)境等的要求，完全可以利用碎片時間進行練習(xí)與鞏固?？毡撑R可用手指、木棍等工具在空中、地上或身上，通過記憶比照字帖寫。心背臨即在心里描摹字帖，在腦中再現(xiàn)每一筆每一畫，這種方式適合睡覺前時用。

3、意臨

在臨寫時注入了自己的主觀意識，意臨是由臨摹過渡到創(chuàng)作的必經(jīng)之路。諸多初學(xué)者存在一個問題：練字時喜歡摻雜自己的意識，這是一種正常的現(xiàn)象，但是也是要趁早正視解決的問題，到達意臨這個階段才開始融入主觀思維，切不可過早摻入。意臨可從為兩種，第一種是在原帖字體風(fēng)格的基礎(chǔ)上，使用自己的筆法或結(jié)體特征來表現(xiàn)；第二種是在自己字體風(fēng)格的基礎(chǔ)上，使用原站的筆法和結(jié)體特征來適應(yīng)自己的“意”。

注意事項

三種練字方法的合理利用才能在練字過程取得一個不錯的效率，需要我們注意如下幾點：

1、多臨少摹

不止在為期四個多月的練習(xí)期間不采用摹寫是因為降低了主觀能動性。將摹寫與臨寫進行有機結(jié)合，以臨寫為主、摹寫為輔的方式取長補短，未必不是一種好的方法。

2、循序漸進

一般而言，從摹寫到臨寫，各項練習(xí)方法應(yīng)當(dāng)有效穿插，相互作為輔助關(guān)系。

3、先專后博

比如不止選擇的兩本字帖，先《實用行楷字帖》，后《林數(shù)因語錄行楷》，兩本字帖雖然都是荊香鵬的字，但有差別。先打好基礎(chǔ)，解決好筆畫結(jié)構(gòu)，再進入長篇幅的練習(xí)。同時也可以找書家其他字帖，進行廣泛吸收。

4、點面結(jié)合

在練習(xí)前期，筆畫與結(jié)構(gòu)的練習(xí)往往是結(jié)合在一起。由于諸多現(xiàn)代字帖制作是由字體庫生成，相同的字沒有變化，極有利于練習(xí)（也有弊端，不夠靈動）。練習(xí)中后期，筆畫、結(jié)構(gòu)、章法相互穿插練習(xí)，可以進行通臨，形成面到點，點到面的良性循環(huán)。

5、講究實效

練字不是抄字，做事要做有用功，每一筆、每一字都需要精益求精，不求數(shù)量求質(zhì)量。當(dāng)今生活節(jié)奏過快，部分人練習(xí)時總想急于求成，練字不是一朝一夕的事，講究效率的同時也要注重堅持。

行楷技巧

連寫筆畫

寫行楷書，往往將相鄰的筆畫連寫，以方便書寫。

引用草書

為增強行書的流動筆意，注重牽絲連帶，調(diào)節(jié)行氣，也可以把人們比較熟悉的草字直接串寫在行楷書中。

簡化字形

行楷書書寫時，由于連寫筆畫，可以適當(dāng)減少筆畫數(shù)、簡化了字形，使書寫更加便捷。

改變筆順

行楷書為了連寫方便，有一些字改變了楷書的筆畫順序?？傮w上要保證美感，章法布局上要講究錯落有致，空間布白。

略帶斜勢

行楷書在書寫時，為行筆連帶方便，橫可以大幅度上斜，字形略帶斜勢，自成新的體勢。

大小相間

行楷書在排行書寫時，字形大小，隨其自然，大小相間，使行氣更加流暢自然。

章法布局排列

字的大小講究有大有小，錯落有致，相得益彰，這樣能夠使整體更加美觀大方。

規(guī)律技巧

左短右長

是指左部偏旁較右部要短、而且小。書寫時，左部要寫小、并略靠上一些，為右部寫寬長一些留出位置。這類字的右部往往有撇畫向左部的下方伸展，要恰到好處，不能伸的太長。比如：聽、作、觀等。

左高右低

點豎對正

指在一個字中，有上下兩個中豎者，兩個中豎應(yīng)當(dāng)垂直對正。豎能對正，則字身不倒。在許多字中，中豎決定字的重心，安放位置對與錯就決定了這個字的好壞。

左斜右正

凡左右結(jié)構(gòu)者，以左斜右正者居多，左斜為呼，右正為應(yīng)，有呼無應(yīng)，字勢必殤，有應(yīng)無呼，無源之水，均不能立，呼者以斜而取勢，應(yīng)者以平而安神，呈左動而右穩(wěn)，書呼疾而應(yīng)遲。

左寬右窄

撇捺不相連

上展下收

橫長撇短

上緊下松

書寫要點

行楷入門，以吳玉生行楷字為例。

常用字“大”字雖然筆畫簡單，但并不好寫，眼睛一看就會，但是寫出來總覺得姿態(tài)別扭。

為了方便記憶，下面我把“大”字書寫要點歸結(jié)為“3直1彎”。

①橫畫要直，用中橫，要果斷，粗壯有力，不宜帶弧度；

②豎撇豎要直；

③捺畫前半段要直；

④豎撇跨過橫畫之后，急轉(zhuǎn)彎，弧度非常大。

毛筆行楷

姿勢

坐姿

寫毛筆字以坐姿為主。一則練二三寸大楷字無須站立，坐著寫就行了；二則坐著省力又利于凝神聚氣，注意力容易集中。主張寫二三寸大楷模也要用立姿的主要原因是為了練習(xí)懸肘，其實坐著寫也照樣可以用懸肘法，關(guān)鍵是方法要正確。正確的坐姿應(yīng)該是頭正、身直、臂開、足安”（見圖下)。

頭正：指書寫時頭要擺正，不可偏側(cè)。

身直：指身體要平正、坐直，兩肩齊平，當(dāng)然直立不是要昂首挺胸，而應(yīng)該肩背放松，自然下沉，身子略向前傾，胸口與桌面保持一多的間隔，切忌彎腰駝背，甚至將下巴枕靠在左手背上。

臂開：指手臂要往前伸開些，同時兩臂的肘關(guān)節(jié)也要向左右撐開，兩邊基本勻稱。

足安：是指兩只腳自然地平穩(wěn)著地，兩腿左右略微分開，其位置與肩寬基本相等，肌肉放松。

站姿

站著寫毛筆字身子可略往前傾，頭部正直稍微有些下俯，左手掌按住桌面上的紙，右手近于伸直，執(zhí)筆的姿勢也要隨著站立而改變，手享下覆，手背與手臂幾乎成一平面。兩腳分開站穩(wěn)，雙足之間的距離與肩寬大致相等。書寫時用手腕、手臂的運動來完成；如果寫特別大的字，甚至要用腰部的運動來書寫，兩腳可再分開些，使書寫動作可大一些。執(zhí)筆方法也應(yīng)隨之而變化。

工具

選筆

毛筆

不同階段，不同水平，學(xué)習(xí)不同的書體，練習(xí)大小不同的字，對應(yīng)的毛筆也是不同的。

推薦實體店購買，而非網(wǎng)店購買。網(wǎng)店上的東西看不清摸不著，僅能通過幾張圖片來判斷，這種判斷方法很難看的真切，因此很多人發(fā)現(xiàn)上了當(dāng)。而在實體店可以好好觀察，也可以根據(jù)不同的價格的毛筆進行一個對比，從而擇優(yōu)購買，有問題也能在現(xiàn)場發(fā)現(xiàn)。

用筆最好還是選擇品牌筆，價格雖是稍高點，但質(zhì)量比較可靠，包括用料和工藝。

范本

平時多看名帖、看書法展、看名家揮毫。從好作品中汲取養(yǎng)分。推薦的以下范本。

書寫原則

1、線條堅而渾——激情原自線條的熟練。線是力和勢的組合，行筆要沉著痛快，做到穩(wěn)健、輕便，重筆勢(即趨向)，根據(jù)字形大小排字的走向，線條斜勢，整體縱向走勢。

2、結(jié)體奇而穩(wěn)——注意重心。欹側(cè)、擒縱、疏密、高低。

3、章法變而貫——竹節(jié)式(幾個字一節(jié))節(jié)數(shù)間有空隙;貫珠式(中心線);蛇行式(左右擺動);疏影式(疏疏朗朗)。

布局要點

1、一字不能成行。

2、字與字之間有呼應(yīng)，上承下啟，左映右?guī)В芯嗪妥志嗖荒芟嗟?。書眼放中央，可大些，字與周邊氣貫。

3、整體上展出適合墨跡濃重的作品。掛家中適合疏淡的作品。

4、作品中不能有錯別字，異體字不過于冷僻。

5、作品整體布局上面重下面輕。

6、評作品好壞主要看總體視覺效果：節(jié)奏、墨色、用筆。

7、三三兩兩，似散還續(xù)，氣脈一貫，此布局之妙也。

書寫技巧

行楷的連帶

筆畫連帶是行楷書的核心，唯有連帶，方能提高書寫速度。除了一般上下筆劃之間的連帶之外，還有一些特殊的連帶。

1、改變筆順。如分、交、布、必、巨、王等字，筆順改變后，連帶順暢，書寫便利。

2、筆畫合并。如頁、吊、此、高、非等字，筆畫合并后，兩筆并作一筆，使得上下連貫?！　?、筆畫省略。如即、動、蜂、齡、它等字的點、小豎、短撇等次要筆畫，為了不妨礙連筆，就省略掉了，雖然省略了，但是仍易于辨認。

4、筆畫替代。如風(fēng)、喜、基、具、常、王、能、可等字，這寫字大都采取了描摹輪廓的方式來寫，用象形筆法勾勒出來，由于約定俗成，已被大家所接受。

要練好行楷，關(guān)鍵要仔細觀察字的行筆路線，注意上下銜接，突出主要筆畫，減少對筆畫的修飾，盡量一氣呵成，使字渾然一體。由于書寫點畫簡略，隨意自然，行楷給人們以輕松愉快的感覺。

書寫特點

行楷的書寫特點是連、變、省，其筆畫比正楷字的筆畫自由，用筆方法也有許多變化。下面我們逐一介紹行楷的基本筆畫。

行楷的點畫

行楷畫卷頭尖、腹平、背圓、尾滿，前后顧盼。點畫都與字的中心呼應(yīng)。下面是行楷字點畫的主要寫法：

行楷的橫畫

行楷字橫畫多數(shù)帶鉤，與前后筆畫呼應(yīng)或者連接，有長短、精細、俯仰等變化，如果數(shù)橫并列，要有長短參差，筆勢也要有區(qū)別。橫畫在字中往往起平衡作用，因此書寫時要注意長短、角度和曲弧。

行楷的豎畫

行楷字寫豎畫不宜太直硬，要適當(dāng)取斜勢或彎曲，收筆有懸針，有垂露，有帶鉤，有彎弧，但必須把力用到筆端，切忌軟散。字中的長豎作適當(dāng)夸張。

行楷的撇畫

行楷字的撇有多種姿態(tài)，要注意長短、曲直的變化，書寫時常?；劁h，做到伸縮有度，與捺相配時要有變化，不能呆板。

行楷的捺畫

捺多用在字的右部或者右下角的末筆，有時寫成反捺或長點出鋒，但要注意帶曲，回鋒的方向要有變化。

行楷的提畫

提又稱挑，常在左右結(jié)構(gòu)字左旁的末筆，與右半邊聯(lián)系。寫提筆要快而有勁

行楷的折畫

行楷字的折畫有圓有方，圓轉(zhuǎn)多于方折，圓度要潤，方折要頓。

行楷的鉤畫

行楷字的鉤畫多變并適度夸張。有些字本來沒有鉤，可以加鉤起連帶作用，但要生動求變，飽滿有勁，切忌軟弱、尖細。

書寫關(guān)鍵

八面出鋒

借助于八面出鋒，自然顯出墨色濃淡，濕中有干，干中有濕，濃中有淡，淡中有濃，變化千萬，使作品富有節(jié)奏感。

剛?cè)嵯酀?

剛力—鐵劃銀鉤(粗)：柔力—行云流水(細)。

惜墨如金

要求蘸一次墨寫一個字，甚至數(shù)字。

豁然開朗

留白處有寬有窄，寬處給人以忽然開朗之感。藝術(shù)是制造矛盾，到解決矛盾的過程。

中側(cè)并用

中鋒得法立骨，側(cè)鋒得勢求變。中鋒是理性的要求，是書法審美的核心所在；側(cè)鋒是情性的化身，是書法通神的手段。

深思熟慮

創(chuàng)作前要深思熟慮，反復(fù)推敲，做到“胸有成竹”。

一氣呵成

書法是感情的流露，不是技巧的表現(xiàn)，要在身體與心情皆好的狀態(tài)下寫字。書寫時隨意揮灑，一氣呵成。

錯落有致

一般情況下，作品的行距要寬，字距要緊。字忌并列，要錯開。節(jié)數(shù)間有空隙，排列組合要有節(jié)奏，大小字參差，突出中間書眼。

筆情墨趣

書法是無聲的音樂，無形的舞蹈。求變化中有呼應(yīng)，使整體和諧，有強烈的節(jié)奏和視覺沖擊力。用好拙筆，用筆略慢，動中有靜，寫出墨趣。

重視貫氣

書法的氣，是指點劃與不同字之間的呼應(yīng)，字與字之間的趨向。

書寫方法

讀帖

要練眼，即認真讀帖。讀帖是基礎(chǔ)，要仔細觀察字在方格中的高低位置、筆畫的連貫映帶、疏密和長短等，眼高是手高的前提，對字形要善于觀察、分析和比較，大致相同的字合成一類，舉一反三，達到事半功倍的效果。

練腦

要練腦或說練心。在細心觀察的基礎(chǔ)上，要把示范字牢牢地記在心里，只有把字形象記英語單詞、背數(shù)學(xué)公式那樣爛熟于心，深深地刻在大腦里，才能熟練運用。無論何時，一旦提到這個字，馬上就能想出這個字在字帖上的形狀，做到胸有成帖，腦有成字。

練手

練眼和練腦是為了搞清字該怎樣寫，心中能想出字的最好效果，手下卻不一定能寫出來，因為腦不一定能指揮得了手，手不一定能指揮得了筆。練手就是要達到心手一致、手筆一致的境界，所以練手也是至關(guān)重要的。練手主要是練指力、練腕力、練手感。

練結(jié)構(gòu)

要寫好行楷，結(jié)構(gòu)的練習(xí)重于筆畫的練習(xí)。字的結(jié)構(gòu)是指字的筆畫的長短比例及筆畫間的穿插避讓關(guān)系。要掌握漢字的結(jié)構(gòu)，大家可以寫寫黑體字，通過這種字體把結(jié)構(gòu)進行校正，然后加以變化，寫其他的字體也就容易一些。

%3Chowto_content%3E[{"type":"paragraph","attrs":{"is_abstract":true},"children":[{"type":"text","text":"行楷又稱“漢字行楷手寫體字形”，是偏重于楷書書寫筆法，比楷書行筆自由，又比行草規(guī)正的行書字體。是漢字在楷書基礎(chǔ)上簡約書寫筆畫、增強書寫映帶、表現(xiàn)書寫意趣的實用性字體。行楷最大的優(yōu)勢在于實用性極強，書寫速度快、易識易學(xué)。","id":""}],"text":"","id":"doxcnIcYsIAc6q8UAHoupFfA6Jv"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"行楷特點","id":""}],"text":"","id":"doxcnYaukOIYUqu4uirDWImLVhI"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"行筆輕盈","id":""}],"text":"","id":"doxcnUAAg4qCUSo6KGuqFDmvpHf"},{"type":"paragraph","children":[{"type":"text","text":"書寫楷書，運筆穩(wěn)實、緩慢，筆畫講究工整、挺健。書寫行楷，運筆輕松、便捷，線條追求流暢、明快。","id":""}],"text":"","id":"doxcnCcIycGWM0kCICoARw4h31d"},{"type":"image","attrs":{"height":423,"note":[{"type":"text","text":"行筆輕盈","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/3cac2bf2f3c7401fa92467d5a90d4291","width":422},"text":"","id":"doxcnYmaeQEm4AwAqS8hyKqfDFf"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"點畫靈動","id":""}],"text":"","id":"doxcnC4Kq6GGeMC4MyScd0OabDe"},{"type":"paragraph","children":[{"type":"text","text":"書寫楷書，筆畫造型完整，點畫之間呼應(yīng)關(guān)系含蓄。書寫行楷，點畫活潑，連帶顯露，點、鉤、挑等動感筆畫明顯增多。","id":""}],"text":"","id":"doxcn2EEM4UIOggMSo7KjntZCAh"},{"type":"image","attrs":{"height":358,"note":[{"type":"text","text":"點畫靈動","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/9a0deb6987d14b41b98b20def7c0cb62","width":372},"text":"","id":"doxcnqC8oAwiiumKUstBwpBAjpc"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"字形多變","id":""}],"text":"","id":"doxcnC82UOSaoAq8GG4UbvbUo1d"},{"type":"paragraph","children":[{"type":"text","text":"楷書的字形平正端莊，通篇整齊均勻，相映如一。行楷字的字形變化多姿，通篇大小相間，正敧相錯，同一個字可以有多種寫法。","id":""}],"text":"","id":"doxcn2iekUmMgo6SoiiSs7V6a1b"},{"type":"image","attrs":{"height":436,"note":[{"type":"text","text":"字形多變","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/441551fb3bda4a3fa0b71a042346f0f8","width":431},"text":"","id":"doxcnAYAgCE6gSM4g1SmRmWs7Qz"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"硬筆行楷","id":""}],"text":"","id":"doxcn8oSKw6Oa06U2gVS19IetNg"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"姿勢","id":""}],"text":"","id":"doxcn08qmQYAGsSkyOI8DWpi9Nc"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"坐姿","id":""}],"text":"","id":"doxcnciMciCmG8IcCEjBHGJk0Qh"},{"type":"paragraph","children":[{"type":"text","text":"推薦的坐姿：頭正、肩平、臂開、足安；眼離紙一尺高，手離筆尖一寸長，胸離桌子拳頭，推薦坐姿如下圖。","id":""}],"text":"","id":"doxcnKokEyOQEISoEwPbLbaS4id"},{"type":"image","attrs":{"height":269,"note":[{"type":"text","text":"坐姿","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/7dc4007c064e4f62b7190df113825aa2","width":249},"text":"","id":"doxcnS4soUKQwKyCCofbdKxjsEh"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"握姿","id":""}],"text":"","id":"doxcnQgsMwykeKq0umedSoMmVrh"},{"type":"paragraph","children":[{"type":"text","text":"推薦的握姿：拇指、食指捏住筆，中指抵住筆桿底；余下兩指緊相依，指離筆尖一寸余；五指配合齊用力，不松不緊最適宜，推薦握姿如下圖。","id":""}],"text":"","id":"doxcnssCokGGekg8G0UAgW0iUxh"},{"type":"image","attrs":{"height":181,"note":[{"type":"text","text":"握姿","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/c75bf572131348f3af781675dace5466","width":260},"text":"","id":"doxcnGYuiweyaGmqkWfgdUpbvhb"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"工具","id":""}],"text":"","id":"doxcn4IQSKyg8eYQ8esyWOtcVuc"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"選筆","id":""}],"text":"","id":"doxcnYoWqeCaqQiKKEbPWJleqze"},{"type":"paragraph","children":[{"type":"text","text":"1、鋼筆","id":""}],"text":"","id":"doxcnyaCk2M6ME8eGaSyV44e6Jc"},{"type":"paragraph","children":[{"type":"text","text":"鋼筆的地位在硬筆練字中處于不可撼動的地位，較強表現(xiàn)力可以反映出毛筆的效果。關(guān)于練習(xí)鋼筆的選擇，我們可以遵從以下原則：","id":""}],"text":"","id":"doxcnsG6Ye4omiYEAOs7UZGKLvh"},{"type":"paragraph","children":[{"type":"text","text":"（1）不使用美工筆。美工筆不利于穩(wěn)定練習(xí)；","id":""}],"text":"","id":"doxcnS2asmUM8Oc0umYs2RnCLXf"},{"type":"paragraph","children":[{"type":"text","text":"（2）不使用寫起來不適的鋼筆。比如出現(xiàn)堵筆、洇墨、摩阻過大等問題；","id":""}],"text":"","id":"doxcnwcSUoiKOMOAwolSDNeSgqg"},{"type":"paragraph","children":[{"type":"text","text":"（3）不使用過貴的鋼筆。在成本練字的過程相對耗筆，盡量做到成本控制，貴的筆對練字本身沒有太實質(zhì)性的幫助。","id":""}],"text":"","id":"doxcnYWSoWCMyIac2wXg8H0vTNc"},{"type":"image","attrs":{"height":800,"note":[{"type":"text","text":"選筆","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/af05e6bd85604eb3b3090a29f3f25956","width":800},"text":"","id":"doxcnOimsEeYcU8IUycD6KwzYRc"},{"type":"paragraph","children":[{"type":"text","text":"中性筆","id":""}],"text":"","id":"doxcnAIOqO4UKUsKiiWblbtqV0b"},{"type":"paragraph","children":[{"type":"text","text":"中性筆有穩(wěn)定、表現(xiàn)力強、便宜、便捷、書寫舒適等優(yōu)點，是一種相對完美的筆。不止在此次行楷練習(xí)試驗中，日常生活中，大多數(shù)人更愿意使用0.5中性筆。","id":""}],"text":"","id":"doxcn8y80ucmkMEo6Yz690kipzd"},{"type":"p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id":"doxcngMeGwYSmIwUUa0uTFIdCoh"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"練字內(nèi)容","id":""}],"text":"","id":"doxcnyMuA00AusuW8AnUVouKs0f"},{"type":"paragraph","children":[{"type":"text","text":"從欣賞一幅書法作品的角度，至少會從章法、結(jié)構(gòu)、筆畫（劃）三方面進行解讀，這三方面即是要練字的內(nèi)容。","id":""}],"text":"","id":"doxcn4uW6WqcQQUws0SXcSdnWrg"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"章法","id":""}],"text":"","id":"doxcnu0IiMSkSoICs0ivuP8j0Ad"},{"type":"paragraph","children":[{"type":"text","text":"章法是安排布置整幅作品中，字與字、行與行之間呼應(yīng)、照顧等關(guān)系的方法，它著重于字與字之間、行與行之間的協(xié)調(diào)。章法包含著字形大小、字距遠近、字態(tài)正奇、黑白分布、落款鈴印等，利用這些手段可以使眾多單字在特定的風(fēng)格下形成一種和諧穩(wěn)定美觀又不失趣味的作品。","id":""}],"text":"","id":"doxcnsusugEusaIo8MvXg33O1nd"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"結(jié)構(gòu)","id":""}],"text":"","id":"doxcnkwY2Cok0I4kKa6vEwygEJd"},{"type":"paragraph","children":[{"type":"text","text":"結(jié)構(gòu)是字內(nèi)各筆畫長短、粗細、疏密、布局等。漢字從結(jié)構(gòu)上分有獨體字與合體字兩大類。從結(jié)構(gòu)形式看，合體字分為七種，即上下結(jié)構(gòu)、上中下結(jié)構(gòu)、左右結(jié)構(gòu)、左中右結(jié)構(gòu)、半包圍結(jié)構(gòu)、全包圍結(jié)構(gòu)和品字形結(jié)構(gòu)，巧妙地組織筆畫讓筆畫布局合理，傳達的視覺效果越好。","id":""}],"text":"","id":"doxcnssuKaGa0MoAsuAwL2Ii3nh"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"筆畫（劃）","id":""}],"text":"","id":"doxcneeOGiAiIIeW0IKQDaEEH5I"},{"type":"paragraph","children":[{"type":"text","text":"永字反映出了“點、橫、豎、撇、捺、提、折、鉤”八個基本筆畫。筆尖與紙面接觸的痕跡，反映出筆畫力度、角度、粗細、曲直等。筆畫作為練字的起點，是最基礎(chǔ)也是最核心的，務(wù)必加倍重視。","id":""}],"text":"","id":"doxcniAmUuyA0CaaswvbgJ0S7Ch"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"練字方式","id":""}],"text":"","id":"doxcnYKCygkWcIKGKUPHW5pSzxf"},{"type":"paragraph","children":[{"type":"text","text":"臨摹字帖是當(dāng)下練字最有效的途徑，但是部分人在臨摹之前往往忽略了一個前提：讀帖。將練字方法分解為三個部分：讀帖、摹寫、臨寫。","id":""}],"text":"","id":"doxcnO0UMscWAuQkIe5yqi2MeT9"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"讀帖","id":""}],"text":"","id":"doxcnGAAk82w28KUOIRlF1S8QLh"},{"type":"paragraph","children":[{"type":"text","text":"讀帖需要分析字帖范字的筆畫、結(jié)構(gòu)、章法。讀帖是一個發(fā)揮主觀能動性的過程，初步練習(xí)時應(yīng)更多的注重筆畫的長短、粗細、徐疾、輕重，筆畫之間的俯仰、向背、離合、呼應(yīng)，字的大小、方圓、高矮、寬窄等等。仔細領(lǐng)會字帖的點畫形質(zhì)、間架結(jié)構(gòu)、氣韻神采，才能下筆準確。對同一字帖而言，應(yīng)從其點畫開始，觀察其起筆、行筆、收筆如何完成以及同一類筆畫之間的細小差別等，再到觀察毎個字的間架結(jié)構(gòu)、位置布局和章法，最后則是體味字站的氣韻神采、風(fēng)格特點，為準確地臨寫做好準備。對不同字帖而言，就比如不止選擇的兩本字帖，往往起到一個相輔相成的作用，為了解一個字體作好充分的準備。經(jīng)過觀察，不止使用的行楷字帖，不像古帖變化較多，容易學(xué)習(xí)，方便掌握。","id":""}],"text":"","id":"doxcn6mgYAAAQOMywycRkaO2uCf"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"摹寫","id":""}],"text":"","id":"doxcn6gYSEGaCkcOkiUDVAvGzle"},{"type":"paragraph","children":[{"type":"text","text":"市面上流通的大多數(shù)摹寫字帖采用透明度較高的硫酸紙覆蓋在字帖上，按照影子描寫（或者貓紅）。當(dāng)你開始使用摹寫時前也要詳細的讀帖，做到心中有數(shù)。摹寫過程中，盡量與原帖的用筆一致，單字書寫一氣呵成，不可存在?筆填筆等問題。摹寫有利有弊，不止認為摹寫存在降低主觀能動性的嫌疑，故整個練字試驗過程都沒有使用摹寫。","id":""}],"text":"","id":"doxcncqAyo4S6CCSaYTmdDAzshe"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"臨寫","id":""}],"text":"","id":"doxcn6iM4OiYag0WcQD61VKxzDd"},{"type":"paragraph","children":[{"type":"text","text":"臨寫根據(jù)要求的不同可分為對臨、背臨和意臨。","id":""}],"text":"","id":"doxcnygOUcU2IMMCIs1Ye474JJd"},{"type":"paragraph","children":[{"type":"text","text":"1、對臨","id":""}],"text":"","id":"doxcni62qGqSGoUMUYNDoHeenTw"},{"type":"paragraph","children":[{"type":"text","text":"可將字帖置于視角左側(cè)或前端，便于準確觀察。隨著練字形式的多樣化，對臨時關(guān)于字帖的擺放只要適用于自己即可，可通過裁剪字帖放大觀察范圍，不必拘泥形式?；谧x帖，寫完后再將自己寫的與字帖仔細對照分析，找到不足做出標(biāo)記，再次臨寫，循環(huán)練習(xí)直到與字帖的字高度相以。臨寫時不可看一筆寫一筆。","id":""}],"text":"","id":"doxcncyUQQaEEiUwKsF3SWiJp0e"},{"type":"paragraph","children":[{"type":"text","text":"2、背臨","id":""}],"text":"","id":"doxcnA2S06sa2kckwDN9brm2NLc"},{"type":"paragraph","children":[{"type":"text","text":"在讀帖，摹寫，對臨這些過程中，應(yīng)當(dāng)有所思索、有所比較、有所記憶，將字帖熟記于心，合帖臨寫，通過背臨這種方式來檢驗自己是否熟練，這種方式就好比背語文課文，作為一種檢查手段的同時，也是在鞏固字體的練習(xí)，以形成記憶模式，達到一種出筆即像的境界。有部分練習(xí)者對照字帖能寫得很好，一旦離開字站，不管是字形還是結(jié)構(gòu)都降了層次，這就是因為沒有使用好背臨這一招。學(xué)習(xí)一個字體最后目的就是要將帖上字化為已用，想要到達這一目的，背臨是必經(jīng)的過程。背臨還有兩種形式：空背臨和心背臨。由于這兩種方式不存在使用工具、時間、環(huán)境等的要求，完全可以利用碎片時間進行練習(xí)與鞏固?？毡撑R可用手指、木棍等工具在空中、地上或身上，通過記憶比照字帖寫。心背臨即在心里描摹字帖，在腦中再現(xiàn)每一筆每一畫，這種方式適合睡覺前時用。","id":""}],"text":"","id":"doxcnMcQ2kOYemq2qmcI1ebeInc"},{"type":"paragraph","children":[{"type":"text","text":"3、意臨","id":""}],"text":"","id":"doxcnAKoeUoysIM2gE9Ezj6O0Yb"},{"type":"paragraph","children":[{"type":"text","text":"在臨寫時注入了自己的主觀意識，意臨是由臨摹過渡到創(chuàng)作的必經(jīng)之路。諸多初學(xué)者存在一個問題：練字時喜歡摻雜自己的意識，這是一種正常的現(xiàn)象，但是也是要趁早正視解決的問題，到達意臨這個階段才開始融入主觀思維，切不可過早摻入。意臨可從為兩種，第一種是在原帖字體風(fēng)格的基礎(chǔ)上，使用自己的筆法或結(jié)體特征來表現(xiàn)；第二種是在自己字體風(fēng)格的基礎(chǔ)上，使用原站的筆法和結(jié)體特征來適應(yīng)自己的“意”。","id":""}],"text":"","id":"doxcnGYuu2QQuummUchftaOlYJf"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"注意事項","id":""}],"text":"","id":"doxcnSEKqU8MukMwuYLyVM9eJ0g"},{"type":"paragraph","children":[{"type":"text","text":"三種練字方法的合理利用才能在練字過程取得一個不錯的效率，需要我們注意如下幾點：","id":""}],"text":"","id":"dox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眼睛一看就會，但是寫出來總覺得姿態(tài)別扭。","id":""}],"text":"","id":"doxcnUwoYigA0CmWu4GOKZxS7ce"},{"type":"paragraph","children":[{"type":"text","text":"為了方便記憶，下面我把“大”字書寫要點歸結(jié)為“","id":""},{"type":"text","text":"3直1彎”","id":""},{"type":"text","text":"。","id":""}],"text":"","id":"doxcnwEiWAeIcwIcaGw1xFuS4ah"},{"type":"paragraph","children":[{"type":"text","text":"①橫畫要直，用中橫，要果斷，粗壯有力，不宜帶弧度；","id":""}],"text":"","id":"doxcnIqcoYqwiKc46qISC4rZRJb"},{"type":"paragraph","children":[{"type":"text","text":"②豎撇豎要直；","id":""}],"text":"","id":"doxcn0cMguuoAS4s2e8B9vTvXSg"},{"type":"paragraph","children":[{"type":"text","text":"③捺畫前半段要直；","id":""}],"text":"","id":"doxcnwccMCEOAw2QmqqAYK0ecvb"},{"type":"paragraph","children":[{"type":"text","text":"④豎撇跨過橫畫之后，急轉(zhuǎn)彎，弧度非常大。","id":""}],"text":"","id":"doxcn6UwO8YGwQkkQYHCzQuPzEd"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"毛筆行楷","id":""}],"text":"","id":"doxcnMcyOiIIkuU4Ys3nvvw5ltg"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"姿勢","id":""}],"text":"","id":"doxcnSqWsWkm8Mcos22WA5RXMcb"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"坐姿","id":""}],"text":"","id":"doxcnweQKAwmYysGGkpJFtdqGff"},{"type":"paragraph","children":[{"type":"text","text":"寫毛筆字以坐姿為主。一則練二三寸大楷字無須站立，坐著寫就行了；二則坐著省力又利于凝神聚氣，注意力容易集中。主張寫二三寸大楷模也要用立姿的主要原因是為了練習(xí)懸肘，其實坐著寫也照樣可以用懸肘法，關(guān)鍵是方法要正確。正確的坐姿應(yīng)該是頭正、身直、臂開、足安”","id":""},{"type":"text","text":"（見圖下)。","id":""}],"text":"","id":"doxcnQsmC0yS6g0KioH2CKKX1kc"},{"type":"image","attrs":{"height":316,"note":[{"type":"text","text":"坐姿","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/417fa556de554207ad5134082687dd2f","width":183},"text":"","id":"doxcnMUIqIcW8U6mUuCNaOkLfKb"},{"type":"paragraph","children":[{"type":"text","text":"頭正：指書寫時頭要擺正，不可偏側(cè)。","id":""}],"text":"","id":"doxcnGwIyoWWsSKKY6HqUTZr3Ud"},{"type":"paragraph","children":[{"type":"text","text":"身直：指身體要平正、坐直，兩肩齊平，當(dāng)然直立不是要昂首挺胸，而應(yīng)該肩背放松，自然下沉，身子略向前傾，胸口與桌面保持一多的間隔，切忌彎腰駝背，甚至將下巴枕靠在左手背上。","id":""}],"text":"","id":"doxcnUQmGeaUok0sQKoC2NeAyrf"},{"type":"paragraph","children":[{"type":"text","text":"臂開：指手臂要往前伸開些，同時兩臂的肘關(guān)節(jié)也要向左右撐開，兩邊基本勻稱。","id":""}],"text":"","id":"doxcnIUkCcyIGW2M0a97totsiob"},{"type":"paragraph","children":[{"type":"text","text":"足安：是指兩只腳自然地平穩(wěn)著地，兩腿左右略微分開，其位置與肩寬基本相等，肌肉放松。","id":""}],"text":"","id":"doxcnscy4yIkwGW8iAj6LaigwQc"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"站姿","id":""}],"text":"","id":"doxcna6KeUwOwe2GqkvMkUcOkFx"},{"type":"paragraph","children":[{"type":"text","text":"站著寫毛筆字身子可略往前傾，頭部正直稍微有些下俯，左手掌按住桌面上的紙，右手近于伸直，執(zhí)筆的姿勢也要隨著站立而改變，手享下覆，手背與手臂幾乎成一平面。兩腳分開站穩(wěn)，雙足之間的距離與肩寬大致相等。書寫時用手腕、手臂的運動來完成；如果寫特別大的字，甚至要用腰部的運動來書寫，兩腳可再分開些，使書寫動作可大一些。執(zhí)筆方法也應(yīng)隨之而變化。","id":""}],"text":"","id":"doxcnCu64QmqyuYO2K41JlLc1Ig"},{"type":"image","attrs":{"height":331,"note":[{"type":"text","text":"站姿","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/0e2b6e78c415417f82919c42ce04ad14","width":186},"text":"","id":"doxcniWeUKSAWsUG2553WzOlJbc"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"工具","id":""}],"text":"","id":"doxcnGgmW4KSqiOiOeA8VDgLHWd"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"選筆","id":""}],"text":"","id":"doxcnEOscEWGiYAWgSQsOg7czmf"},{"type":"paragraph","children":[{"type":"text","text":"毛筆","id":""}],"text":"","id":"doxcnECqooYMiO6a8W0MgL3dHbh"},{"type":"paragraph","children":[{"type":"text","text":"不同階段，不同水平，學(xué)習(xí)不同的書體，練習(xí)大小不同的字，對應(yīng)的毛筆也是不同的。","id":""}],"text":"","id":"doxcnmqIyy08OMCM64Vtl5ltwVk"},{"type":"paragraph","children":[{"type":"text","text":"推薦實體店購買，而非網(wǎng)店購買。網(wǎng)店上的東西看不清摸不著，僅能通過幾張圖片來判斷，這種判斷方法很難看的真切，因此很多人發(fā)現(xiàn)上了當(dāng)。而在實體店可以好好觀察，也可以根據(jù)不同的價格的毛筆進行一個對比，從而擇優(yōu)購買，有問題也能在現(xiàn)場發(fā)現(xiàn)。","id":""}],"text":"","id":"doxcnOm8IqCu8a8gosPA8gU17ke"},{"type":"paragraph","children":[{"type":"text","text":"用筆最好還是選擇品牌筆，價格雖是稍高點，但質(zhì)量比較可靠，包括用料和工藝。","id":""}],"text":"","id":"doxcne6wQIckyKWsqsbOvYrz7re"},{"type":"image","attrs":{"height":435,"note":[{"type":"text","text":"選筆","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/0dc993b2bf2346009a27a41003c3a17d","width":640},"text":"","id":"doxcn0EMG2gwIw8OAEjQropDhwc"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"范本","id":""}],"text":"","id":"doxcnCgqsWYyy22SUK2a8UYu45c"},{"type":"paragraph","children":[{"type":"text","text":"平時多看名帖、看書法展、看名家揮毫。從好作品中汲取養(yǎng)分。","id":""},{"type":"text","text":"推薦的以下范本。","id":""}],"text":"","id":"doxcnACkmwiGiGQmK2l7v5n1Twc"},{"type":"imageList","children":[{"type":"image","attrs":{"height":417,"note":[{"type":"text","text":"范本","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/a79c94e97cfd415f8fee87403b27c988","width":486},"text":"","id":"doxcnwSIS4KuouCSCYDK3iaHUrh"},{"type":"image","attrs":{"height":421,"note":[{"type":"text","text":"范本","id":""}],"url":"https://p3.douyinpic.com/large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"text":"行楷字寫豎畫不宜太直硬，要適當(dāng)取斜勢或彎曲，收筆有懸針，有垂露，有帶鉤，有彎弧，但必須把力用到筆端，切忌軟散。字中的長豎作適當(dāng)夸張。","id":""}],"text":"","id":"doxcnIsACQSQmYUmE8jtVztVsRf"},{"type":"image","attrs":{"height":592,"note":[{"type":"text","text":"行楷的豎畫","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/a5d111eb608f478d82f2d1d625b3792c","width":590},"text":"","id":"doxcnuE8UyyK64ME6moE7zHbUlf"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"行楷的撇畫","id":""}],"text":"","id":"doxcnyCeWYWmogs4Kqgp8hCMKvd"},{"type":"paragraph","children":[{"type":"text","text":"行楷字的撇有多種姿態(tài)，要注意長短、曲直的變化，書寫時常?；劁h，做到伸縮有度，與捺相配時要有變化，不能呆板。","id":""}],"text":"","id":"doxcnI6SMqOyMs8SMGqegxzJXld"},{"type":"image","attrs":{"height":545,"note":[{"type":"text","text":"行楷的撇畫","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/1b80a5e4468a40e9be7a50ec35d21b4d","width":640},"text":"","id":"doxcnwKQKEG66I4qI0Ia4oXvH3c"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"行楷的捺畫","id":""}],"text":"","id":"doxcnmcaosE8KQAIwmEE9pflz0g"},{"type":"paragraph","children":[{"type":"text","text":"捺多用在字的右部或者右下角的末筆，有時寫成反捺或長點出鋒，但要注意帶曲，回鋒的方向要有變化。","id":""}],"text":"","id":"doxcnqQMqOIEkuOiUeKfhqJ8rVT"},{"type":"image","attrs":{"height":659,"note":[{"type":"text","text":"行楷的捺畫","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/a6ab263ee1d447689f78425e54ffee29","width":640},"text":"","id":"doxcnUOe46mkCgIoICQmdDa8Rrc"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"行楷的提畫","id":""}],"text":"","id":"doxcn2CUkIkSq6YUaYdnIpKqHwd"},{"type":"paragraph","children":[{"type":"text","text":"提又稱挑，常在左右結(jié)構(gòu)字左旁的末筆，與右半邊聯(lián)系。寫提筆要快而有勁 ","id":""}],"text":"","id":"doxcn4MK8QuaAOYm40WLzS0TJie"},{"type":"image","attrs":{"height":439,"note":[{"type":"text","text":"行楷的提畫","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/576d3bc6417844388035bb6c5084ee57","width":640},"text":"","id":"doxcncCkuYouk6ssmsT06ZDxoSc"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"行楷的折畫","id":""}],"text":"","id":"doxcno8eOy0ks4EQqIljp7jUr0d"},{"type":"paragraph","children":[{"type":"text","text":"行楷字的折畫有圓有方，圓轉(zhuǎn)多于方折，圓度要潤，方折要頓。","id":""}],"text":"","id":"doxcnGmy4CU0MgcoSUVQHAqYB2g"},{"type":"image","attrs":{"height":423,"note":[{"type":"text","text":"行楷的折畫","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/724e5644f62e4846aa36aafee21c47a2","width":640},"text":"","id":"doxcnWY2wyEWWQkKQMztqVyBQch"},{"type":"paragraph","children":[{"type":"text","text":"行楷的鉤畫","id":""}],"text":"","id":"doxcnMwMi8eu2s8S06UT3SKzm9F"},{"type":"paragraph","children":[{"type":"text","text":"行楷字的鉤畫多變并適度夸張。有些字本來沒有鉤，可以加鉤起連帶作用，但要生動求變，飽滿有勁，切忌軟弱、尖細。","id":""}],"text":"","id":"doxcnwswImyS0Oae46NA7C35mlb"},{"type":"image","attrs":{"height":779,"note":[{"type":"text","text":"行楷的折畫","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/9f64b9e111a8402db251d29e9fe82877","width":640},"text":"","id":"doxcnG4Wy24uac42aYRHOKhrDEf"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"書寫關(guān)鍵","id":""}],"text":"","id":"doxcn6o86MmeMUcmkkHLBcIqxCc"},{"type":"paragraph","children":[{"type":"text","text":"八面出鋒","id":""}],"text":"","id":"doxcngoI2owY4EG8qINNFHuTY6f"},{"type":"paragraph","children":[{"type":"text","text":"借助于八面出鋒，自然顯出墨色濃淡，濕中有干，干中有濕，濃中有淡，淡中有濃，變化千萬，使作品富有節(jié)奏感。","id":""}],"text":"","id":"doxcnMi6CSowM8wIuYzm00qxlDh"},{"type":"paragraph","children":[{"type":"text","text":"剛?cè)嵯酀?,"id":""}],"text":"","id":"doxcnCKG0SSqAMiiUG2RJNSagMo"},{"type":"paragraph","children":[{"type":"text","text":"剛力—","id":""},{"type":"text","text":"鐵劃銀鉤(粗)：柔力—","id":""},{"type":"text","text":"行云流水(細)。","id":""}],"text":"","id":"doxcnS0AyiWK04co8UJir8F7Tkc"},{"type":"paragraph","children":[{"type":"text","text":"惜墨如金","id":""}],"text":"","id":"doxcnU22cm6iiwWIUgtSXfFRqed"},{"type":"paragraph","children":[{"type":"text","text":"要求蘸一次墨寫一個字，甚至數(shù)字。","id":""}],"text":"","id":"doxcnaSwgo86II24yiOONHJDHNh"},{"type":"paragraph","children":[{"type":"text","text":"豁然開朗","id":""}],"text":"","id":"doxcnmygKyu8gAiQ6OplD7osqVp"},{"type":"paragraph","children":[{"type":"text","text":"留白處有寬有窄，寬處給人以忽然開朗之感。藝術(shù)是制造矛盾，到解決矛盾的過程。","id":""}],"text":"","id":"doxcnQG04OK2ke0U0gN2BO9SEhf"},{"type":"paragraph","children":[{"type":"text","text":"中側(cè)并用","id":""}],"text":"","id":"doxcnEsOk8Kq6uaoieE67PtMfad"},{"type":"paragraph","children":[{"type":"text","text":"中鋒得法立骨，側(cè)鋒得勢求變。中鋒是理性的要求，是書法審美的","id":""},{"type":"text","text":"核心所在；","id":""},{"type":"text","text":"側(cè)鋒是情性的化身，是書法通神的手段。","id":""}],"text":"","id":"doxcnGYscu8skYuWMnl6PLQWXcM"},{"type":"paragraph","children":[{"type":"text","text":"深思熟慮","id":""}],"text":"","id":"doxcngQI8EcImyUakEyabawOXpb"},{"type":"paragraph","children":[{"type":"text","text":"創(chuàng)作前要深思熟慮，反復(fù)推敲，做到“胸有成竹”。","id":""}],"text":"","id":"doxcnQ4mKQIMo68siohfwOjuh5a"},{"type":"paragraph","children":[{"type":"text","text":"一氣呵成","id":""}],"text":"","id":"doxcncmGoe46o6aOGYrkbQGiTJb"},{"type":"paragraph","children":[{"type":"text","text":"書法是感情的流露，不是技巧的表現(xiàn)，要在身體與心情皆好的狀態(tài)下寫字。書寫時隨意揮灑，一氣呵成。","id":""}],"text":"","id":"doxcnA4SeYSQgyyEc2B0GHS46Le"},{"type":"paragraph","children":[{"type":"text","text":"錯落有致","id":""}],"text":"","id":"doxcnO0yIwmIsgGwYGEvjjQ0Bxh"},{"type":"paragraph","children":[{"type":"text","text":"一般情況下，作品的行距要寬，字距要緊。字忌并列，要錯開。節(jié)數(shù)間有空隙，排列組合要有節(jié)奏，大小字參差，突出中間書眼。","id":""}],"text":"","id":"doxcnIgs6IawSuwA8e6o12XYVkg"},{"type":"paragraph","children":[{"type":"text","text":"筆情墨趣","id":""}],"text":"","id":"doxcnOoi2iO4OCGWGwHrtxBjXhb"},{"type":"paragraph","children":[{"type":"text","text":"書法是無聲的音樂，無形的舞蹈。求變化中有呼應(yīng)，使整體和諧，有強烈的節(jié)奏和視覺沖擊力。用好拙筆，用筆略慢，動中有靜，寫出墨趣。","id":""}],"text":"","id":"doxcnaAGSyYusYGaA0YK4jiARyf"},{"type":"paragraph","children":[{"type":"text","text":"重視貫氣","id":""}],"text":"","id":"doxcngUwWOeuwYI0wOoZ4Dee31c"},{"type":"paragraph","children":[{"type":"text","text":"書法的氣，是指點劃與不同字之間的呼應(yīng)，字與字之間的趨向。","id":""}],"text":"","id":"doxcnaAAmUk0uIGQYmKljTaPVSd"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"書寫方法","id":""}],"text":"","id":"doxcnwm44O4Q6GY8CuarhxCvxeg"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"讀帖","id":""}],"text":"","id":"doxcnMKmOesQEoQmUUPRMutQo4c"},{"type":"paragraph","children":[{"type":"text","text":"要練眼，即認真讀帖。讀帖是基礎(chǔ)，要仔細觀察字在方格中的高低位置、筆畫的連貫映帶、疏密和長短等，眼高是手高的前提，對字形要善于觀察、分析和比較，大致相同的字合成一類，舉一反三，達到事半功倍的效果。","id":""}],"text":"","id":"doxcnmUisQUE2w4M8VEjN2dz4D6"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"練腦","id":""}],"text":"","id":"doxcnYyqqQ0SUumUUuinE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